Related Paintings of unknow artist :. | Portrait of Christian VII of Denmark | den magnifka kromomgem i notee dame den 2 decemnr 1804 | Portrait of Maria Luisa of Spain | Khusraw Discovers Shirin Bathing, From Pictorial Cycle of Eight Poetic Subjects | The flower garden at Liancourt |
Related Artists:
Robert Lefere
Robert Jacques François Faust Lefevre (24 September 1755, Bayeux - 3 October 1830, Paris) was a French painter of portraits, history paintings and religious paintings. He was heavily influenced by Jacques-Louis David and his style s reminiscent of the antique. Robert Lefevre made his first drawings on the papers of a procureur to whom his father had apprenticed him. With his parents' consent, he abandoned this apprenticeship and walked from Caen to Paris to become a student of Jean-Baptiste Regnault (in whose studio he met and became friends with Charles Paul Landon). At the 1791 Paris Salon he exhibited his Dame en velours noir, the point of departure for his reputation. Lefevre made 1805 the portrait empress Josephine. 1807 manufactured the counterpart of emperor Napoleon Louis-Andre-Gabriel Bouchet. Napoleon gave both paintings to the city Aachen 1807, where they are today in the city hall and decorate the entrance hall. His other portraits of Napoleon, Josephine, Madame Laetitia, Guerin, Carle Vernet (a portrait which is now at the Louvre) and pope Pius VII made him a fashionable portrait artist and one of the main portraitists of the imperial personalities, a reputation sealed by his portrait of Napoleon's new wife Marie Louise. On the Bourbon Restoration Robert Lefevre painted a portrait of Louis XVIII for the Chambre des Pairs and received the cross of the Legion d'honneur and the title of First Painter to the King, losing the latter on the July Revolution. He painted a large number of portraits and history paintings. The main example of his portraits are those of Malherbe (Bibliotheque publique de Caen), Charles X, the duchesse deAngouleme, the duchesse de Berry, Charles-Pierre-François Augereau duc de Castiglione (Musee de Versailles), and of Dominique Vivant-Denon. Two of his mythological paintings - Love sharpening his arrows and Love disarmed by Venus (t. 1,84 sur 1,30 ), were engraved by Desnoyers - the latter is reproduced in le Nu Ancien et Moderne. His most notable history paintings are his Phocion getting ready to drink hemlock, Roger delivering Angelique, Heloïse and Abelard and a Crucifixion for the Mont Valerien. His last painting was The Apotheosis of Saint Louis for the Cathedral of La Rochelle.
ulrica pasch
Ulrika Pasch började måla 1756 men hade tidigt tillsammans med sin bror fått undervisning av fadern. Hon blev hushållerska åt en släkting, men målade på fritiden. Under en tioårsperiod försörjde hon sin pappa och syster som professionell porträttmålare i Stockholm innan hennes bror återvände från sina studier utomlands 1766, då de började arbeta tillsammans. Deras samarbete beskrivs som harmoniskt och de valdes båda in i konstakademien 1773. Hon var inte den första kvinnan som valdes in i akademin, men hon var den första kvinnliga yrkeskonstnären som blev vald. Hon ska ha målat detaljerna på broderns tavlor, som klädesdetaljer och liknande. Ulrika hade en framgångsrik karriär och målade ofta porträtt av kungafamiljen och hovet. Hon ansökte dock upprepade gånger förgäves för en pension. Systern Helena Lovisa (1744-96) hushållade åt sina syskon. Trots att det sägs att hon själv var en ödmjuk person som aldrig framhävde sitt arbete, så är hon en av få kända självförsörjande kvinnliga yrkeskonstnärer i Skandinavien före artonhundratalet.
Louwijs Aernouts Elsevier
Dutch painter 1617-1675.